INDEPENDENT CURATORS INTERNATIONAL international networks

ICI CONVERSATIONS NYSE: ANNOUNCING THE LAUNCH OF ICI CONVERSATIONS SERIES

This Spring, ICI launches ICI CONVERSATIONS, a new series of 6 thought-provoking events that give you exclusive access to the people—artists, critics, collectors, advisors, gallerists, curators, and museum directors—who are influencing the contemporary art world today.

Find out more »

Exhibition Related ER: People’s Conference

On February 24-25, ICI presents the People’s Conference, a two-day conversation in conjunction with the final stop of the People’s Biennial tour at Haverford College, PA.

Find out more »

International Forum

Join the International Forum and let ICI become your gateway to exclusive, behind-the-scenes events with the people who shape contemporary art.

Find out more »

Curator's Perspective CP: Maria Lind

ICI launches the 2012 Curator’s Perspective series with a lecture by Maria Lind at the CUNY Graduate Center.

Find out more »

Performance Now: The First Decade of the New Century

Performance Now: The First Decade of the New Century is an exhibition that shows how performance has come to be at the center of the discussion on the latest developments in 21st century art and culture.

Find out more »

Living as Form (The Nomadic Version)

Living as Form (The Nomadic Version) is an unprecedented, international project exploring over twenty years of cultural works that blur the forms of art and everyday life, emphasizing participation, dialogue, and community engagement.

Find out more »

Create

Create is a group show that will bring well-deserved attention to the compelling work created over the past 20 years by artists with developmental disabilities, sharing it with a broad audience and expanding on its impact on renowned international artists and its significant contribution to the field of contemporary art.

Find out more »

Exhibitions

All Exhibitions

Events

All Events

Curatorial Intensive

The Curatorial Intensive is ICI’s short-term, low-cost training program that offers emerging curators the chance to develop their exhibition ideas and make connections to leaders in the field, providing the opportunity to forge new international networks through peer-group education. The Curatorial Intensive takes place twice annually in New York, and in other locations in conjunction with institutional partners worldwide.

Research

  • Dispatch: Proyecto Coyote

    The ghost of cultural tourism appears in many of the processes generated by biennials in far-off locations. A sense of exaggerated nativism through the idealization of place and misunderstanding of homegrown processes are constant risks that befall visiting artists and curators, while self-exoticized “locals” frequently attempt to exemplify some type of essential and coherent identity. Always present is the impossibility of authentically observing, experiencing, and representing a specific context, even when the methods and systems used to capture that experience may be firmly objective, or even empirical. These observations were central preoccupations when renowned Tijuana artist, Marcos Ramírez ERRE, asked me to generate a project to represent his independent space Estación Tijuana in the Encuentro Internacional de Medellín MDE11: Enseñar y aprender. Lugares del conocimiento en el arte (MDE11: Teaching and Learning. Sites of Knowledge Through Art) -a multi-venue art biennial “not biennial” in Medellín, Colombia, then preparing its second edition.

    Read more »
  • Dispatch: Performance and Reperformance

    As an artistic classification, the term ‘performance art’ is fairly contentious within the contemporary art world. Over the past 40 years, the artistic practice has evolved to encompass myriad forms and titles in an attempt to adequately categorize the genre. Artists, curators and scholars readily agree there are historical sub-movements within the genre, such as body art, live art, etc., but the term ‘performance art’ has been largely accepted as the definitive term and subsequently integrated within both art historical and popular discourse.  Some argue the classification of ‘performative’ is misleading and antithetical to the conceptual basis of most works done in the 1960’s and 70’s.  The term portends theatricality and therefore misconstrues or alters the intentions of the work because of the association with entertainment.

    Read more »
  • ICI Program: Fall/Winter 2011/12 Program

    The third issue of ICI’s semi-annual brochure is now available, giving you the latest information on our exhibitions, events, publications, educational initiatives, studio visits, and numerous other projects that are in development at ICI this season. With CURATORSINTL.ORG on its cover, this brochure also announces our new web address and improved website, complete with more resources and information that is easier to navigate.

    Download here.

    Read more »
All Research