Benvenuto Chavajay, Elote de balas (Corn from bullets), 2016. 4 corn cobs and 48-caliber bullets, 38 × 5 × 5 cm each. Courtesy of the artist.
Benvenuto Chavajay, Hombre de maíz (Man of corn), 2019. Photo documentation of performance, Pere Lachaise Cemetery, Paris, France. (Photo: Courtesy of the artist)
Moe Penders, Machete, from the series Cultura, 2017. Digital print, 16 × 20 in (40.64 × 50.8 cm). Courtesy of the artist.
James Dean Pruner, Man as Machine, 1984. Lithograph portfolio. Courtesy of the artist’s family.
James Dean Pruner, archival materials. Courtesy of Laura Augusta. (Photo: Kevin Frank Pellecer)
James Dean Pruner, archival materials. Courtesy of Laura Augusta. (Photo: Kevin Frank Pellecer)
Benvenuto Chavajay, Hombre de lodo (Man of mud), 2018. Photo documentation of performance. Courtesy of the artist.
Moe Penders, Elotes, from the series Cultura, 2017. Digital print, 16 × 20 in (40.64 × 50.8 cm). Courtesy of the artist.