Independent Curators International (ICI) produces exhibitions, events, publications, research and training opportunities for curators and diverse audiences around the world. Established in 1975 and headquartered in New York, ICI is a hub that connects emerging and established curators, artists, and art spaces, forging international networks and generating new forms of collaborations. ICI provides access to the people and practices that are key to current developments in the field, inspiring fresh ways of seeing and contextualizing contemporary art.
Cheryl L’Hirondelle (Cree/Half Breed; German/Polish) is an award-winning and community-engaged interdisciplinary artist, singer/songwriter and critical thinker whose family is from Papaschase First Nation / amiskwaciy wâskahikan (Edmonton, AB) and Kikino Metis Settlement. Her work investigates and attempts to articulate an intersection of nêhiyawin (Cree worldview) with contemporary time-place by incorporating sound, Indigenous language(s), music, plus old and new technologies. Her current ongoing projects include: Why the Caged Bird Sings, a collaborative songwriting project with incarcerated women, men and detained youth; nîpawiwin ohci, a series of immersive installations created to evoke embodied concepts towards solidarity and inclusion; yahkâskwan mîkiwahp (aka light tipi) ‒ a participatory action ‘virtual’ tipi made of light and sage smudge (with Joseph Naytowhow); and Singing Land – a multi-iterative international songwriting/sonic mapping project where she “sings land” as a process of personal treaty-making. She is currently a PhD candidate at SMARTlab/UCD in Dublin, Ireland.
How can a score be a call and tool for decolonization? Curated by Candice Hopkins (Tlingit) and Dylan Robinson (Stó:lō), Soundings: An Exhibition in Five Parts features newly commissioned scores and sounds for decolonization by Indigenous artists who attempt to answer this question.read more »