Independent Curators International (ICI) produces exhibitions, events, publications, research and training opportunities for curators and diverse audiences around the world. Established in 1975 and headquartered in New York, ICI is a hub that connects emerging and established curators, artists, and art spaces, forging international networks and generating new forms of collaborations. ICI provides access to the people and practices that are key to current developments in the field, inspiring fresh ways of seeing and contextualizing contemporary art.
Beth Malone is the founding director of Dashboard Co-op, a curatorial venture that activates raw space with immersive art. Since 2010, Malone has curated ten exhibitions in vacant properties around Atlanta, the majority of which leased following the shows. Dash has received press for its revitalization efforts and curatorial vision by WABE (Atlanta’s NPR affiliate), Business Insider, HGTV, ArtsATL, and the Atlanta Regional Commission. In addition to her work with Dashboard Co-op, Beth curates exhibitions in traditional galleries, most recently 100,000 Cubicle Hours at the Atlanta Contemporary Art Center (2012). In 2011, Beth became the Coordinator of Teen Programs at the High Museum of Art where she continues to connect thousands of teenagers every year through art and culture. She holds a Masters of Letters from the University of Glasgow and sits on review committees for the Forward Arts Foundation, WonderRoot, and Mint Gallery. Her animated films have screened in New York and Atlanta, and she was recently awarded a grant by the City of Atlanta to produce four large-scale works of art for Elevate, Atlanta’s annual public art event.
Join ICI and the Fall 2013 Curatorial Intensive on Tuesday, October 15 for a daylong public symposium where the participants will present the exhibition and project proposals that they have developed through the program.read more »
Curating Time-Based Media is a ten-day professional development program that offers curators the opportunity to discuss, among colleagues, the concepts, logistics, and challenges of organizing exhibitions featuring durational art, installations, performance, dance, video, film, and sound art.read more »