Independent Curators International (ICI) produces exhibitions, events, publications, research and training opportunities for curators and diverse audiences around the world. Established in 1975 and headquartered in New York, ICI is a hub that connects emerging and established curators, artists, and art spaces, forging international networks and generating new forms of collaborations. ICI provides access to the people and practices that are key to current developments in the field, inspiring fresh ways of seeing and contextualizing contemporary art.
Alaina Claire Feldman
Alaina Claire Feldman is a curator and Director of Exhibitions at Independent Curators International (ICI). She was previously an editor at May Revue. Over several years, Feldman has worked with the Centre Audiovisuel Simone de Beauvoir to translate and distribute videos in the archive, culminating in exhibitions at The Kitchen (New York) and SPACE (London). She has organized exhibitions, performances, panels, publications and screenings with artists such as Martha Wilson, Gran Fury, Lorraine O’Grady, Frances Scholz and Mark von Schlegell, Dan Graham, Ulrike Ottinger, The Otolith Group, Alvin Lucier, Allan Sekula, Apichatpong Weerasethakul and many others. She recently curated the exhibition The Ocean After Nature at the Yerba Buena Center for the Arts (San Francisco), which will travel internationally; and edited the subsequent catalogue. Her writing has appeared in several art journals and in the exhibition catalogues for BLESS N°41 Retroperspektives Home (Kunsthaus Graz), Self-Timer Stories (Museum der Moderne Salzburg and Austrian Cultural Forum NY) Apichatpong Weerasethakul: The Serenity of Madness (ICI & MAIIAM) and Partenza: Renata Poljak (Galerije Umjetnina, Split).
The Ocean After Nature considers the ocean as a site reflecting the ecological, cultural, political, and economic realities of a globalized world through the work of twenty artists and collectives.read more »
In conjunction with the exhibition Martha Wilson, Performing, Re-enacting and Reacting will explore key complex issues surrounding the current tendency to re-perform historical works.read more »
Organized by Stephen Vitiello and Alaina Claire Feldman, New York’s Hidden Noise is a one night event at Anthology Film Archives investigating the history of experimental sound in the 1970s in New York.read more »
Organized from November 13–22, 2011 in association with the visual art performance organization Performa, the Curatorial Intensive will use the Performa 11 biennial as a platform to explore how curating performance art is being theorized and implemented today.read more »
Join us on Thursday, May 26th at 7:00 pm for a reading group with Pilot Press (Jen Kennedy and Liz Linden) a D.I.Y. feminist publishing house that provides a non-hierarchical, unedited, and uncensored look at the self-identified feminist community. This reading group will take place along side the current exhibition at Cleopatra’s titled, F is for Fake: The construction of femaleness by the US media, organized by Amanda Parmer.read more »
In summer 2011, 10–14 curators from around the world were selected to participate in the Curatorial Intensive for a rigorous 8-day schedule of workshops, discussions, critiques, and presentations, as well as site visits to local institutions, private collections and artists’ studios.read more »