INDEPENDENT CURATORS INTERNATIONAL
collaborators

Alaina Claire Feldman

Alaina Claire Feldman is the Director of the Mishkin Gallery, the City University of New York (CUNY) Baruch’s modern and contemporary art gallery. She was previously Director of Exhibitions at Independent Curators International (ICI) where she curated the exhibition “The Ocean After Nature” and co-curated “Publishing Against the Grain”, as well as produced and managed twenty international traveling exhibitions with guest curators from around the world. Her projects have included long-term support of artists and curators, and of art histories often overlooked by traditional Western cannons. She has curated exhibitions at The Kitchen, Hugh Lane Dublin City Gallery, Zeitz MoCAA, CCA Lagos, TheCube Taipei, Anthology Film Archives, Participant Inc, Parsons / New School and more. She has lectured and taught at the University of Porto, The School of Visual Arts, New York University, the Center for Feminist Pedagogy, as well as at many museums. In 2017, she was the Annual Beckwith Lecturer at The School of the Museum of Fine Arts Boston/Tufts. She has previously held positions at the French contemporary art journal May Revue and at the gallery Reena Spaulings Fine Art.

 

involved in:

On the Playground with kim?

Curator Zane Onckule will speak about the program of kim? Contemporary Art Centre in Riga, Latvia.

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The Ocean After Nature

The Ocean After Nature considers the ocean as a site reflecting the ecological, cultural, political, and economic realities of a globalized world through the work of twenty artists and collectives.

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Performing, Re-enacting and Reacting

In conjunction with the exhibition Martha Wilson, Performing, Re-enacting and Reacting will explore key complex issues surrounding the current tendency to re-perform historical works.

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New York’s Hidden Noise

Organized by Stephen Vitiello and Alaina Claire Feldman, New York’s Hidden Noise is a one night event at Anthology Film Archives investigating the history of experimental sound in the 1970s in New York.

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Curating Performance

Organized from November 13–22, 2011 in association with the visual art performance organization Performa, the Curatorial Intensive will use the Performa 11 biennial as a platform to explore how curating performance art is being theorized and implemented today.

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A reading group with Pilot Press

Join us on Thursday, May 26th at 7:00 pm for a reading group with Pilot Press (Jen Kennedy and Liz Linden) a D.I.Y. feminist publishing house that provides a non-hierarchical, unedited, and uncensored look at the self-identified feminist community. This reading group will take place along side the current exhibition at Cleopatra’s titled, F is for Fake: The construction of femaleness by the US media, organized by Amanda Parmer.

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Summer 2011

In summer 2011, 10–14 curators from around the world were selected to participate in the Curatorial Intensive for a rigorous 8-day schedule of workshops, discussions, critiques, and presentations, as well as site visits to local institutions, private collections and artists’ studios.

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